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Showing posts with label Free Rap. Show all posts
Showing posts with label Free Rap. Show all posts

Wednesday, July 29, 2009

State Of The Art - Hilltop Hoods



Its never been a shock to anyone that I'm a huge fan of international hip hop, and in particular Australian hip hop, which is why, when the group that introduced me to rap from down under, The Hilltop Hoods, released their new long awaited album "State Of The Art", I jumped with joy. looking through the backlog, I've only posted The Hard Road Restrung by them, I'll have to fix that... Anyway, for those that aren't aware, I first heard of The Hilltop Hoods in 2003, when I was sent an mp3 of "The Nosebleed Section", and been hooked sense. Its been a joy to watch their evolution.

Which is why its no surprise that I rather enjoy the innovative "State Of The Art" which though remaining true to its roots in Aussie Hip Hop, broadens and expands and at times crosses into other genres, in a sense its a concept album hidden as a rap album thats abit more aggressive then what most of us are used too from the hoods, but don't let the harder edge turn you off, the album is the same awesome mix of perfectly crafted beats and both meaningful and innovative lyrics, even their freestyles are unlike what we get here in the states, as a child from the tail end of the first generation of hip hop, I enjoy that. But enough of that, lets get into the tracks shall we?

The album starts with "The Return", a nice Run DMC style rock mixed with rap beat where the group freestyles their reintroduction after being off for three years, its a great track that sets the tone for the album, a perfect opener I think. The second track is called "Super Official" and is a return to whats made the hoods loved by true hip hop lovers the world over, a nice easy to listen too party friendly track that just begs to be put on repeat. and played through some big speakers. Next is "Chase That Feeling", the album's first single, which was a nice choice, a really nice opening that sounds kind of like "Kung Fu Fighting" played on a piano, the track is a great easy to listen too track about the tribulations of life and what it means for everyone to chase their dreams, you actually find yourself repeating this one afew times when you first hear it, its just awesome and vintage hoods. Following that is "She's So Ugly", a battle rap thats just so straight for your head its just brilliant, the song is their commentary on the current state of hip hop the world over and how radio is slanting toward "radio friendly" american pop hop, its similar to Downsyde's song about the same subject, but I still love it. Next song is "Still Standing" a great bass heavy party track with an awesome hook that you find youself singing along too by the end while you nod your head to the beat of the awesomely smooth groove that makes you kind of wanna get up and dance, I do love this track so very much. Following that is "Classic Example", a nice freestyle track with american rapper Pharoahe Monch, who makes his first apperance on a song sense 2007, which is a big surprise for me, I'm a big fan of Monch's complex delivery and slant toward the more intelligent lyrics, much like most rappers that aren't from the states, he blends well with the hoods on this track, its got a nice jazzy beat and a nice flow all over all. Next song is "Chris Farley", a song that names off many different famous people of note that are dead, and their desire to gain that level of legend like rappers, singers, and actors known for living a hard lifestyle before them, the chorus on this is just so catchy that you don't realize how far into the song you are by the time you start feeling it completely, brilliant. After that is "The Light You Burned", which starts out with a catchy little sample that I can't really seem to find who does it, but I'd like too, the beat has that sort of rock meets rap beat, which is fast tempo and goes for the head right off, the hoods flow keeps up that pace from the onset, and doesn't really let up, this is another of those great play it on a loud sound system tracks, even if it is basically a break up song, I always enjoy when you can make a song about breaking ups and it be so awesome you have to play it loud and often, its just so catchy that you can't not do it. Next on the list is "Parade of The Dead", a nice hard edged track with a very unique beat, that normally I'd see MCs stumble over, but not the hoods, its a nice hard edged freestyle, which seems to be abit of a theme on this album, but i don't really mind it, its actually a nice change of pace after their last album, it shows they're growing as artists, which I always love. Next is "Last Confession", a nice "redemption track", which is kind of a staple of the Hilltop Hood albums, a smooth laid back jazzy beat sometimes with an obscure old audio sample played in the background, this is one of those things you don't feel complete with out hearing atleast once on a hoods album, they're just so well done, smooth beat with a live piano and violin in there, meaningful interspecies lyrics that make you look inside yourself, I honestly think they're the best group in the world at this kind of track. The second to last song is "Hillatoppa", a song that starts with this nice not to fast beat and a piano beat, as the hoods muse about their place in Hip Hop and its history, its a nice track that gets you from the start and keeps you all the way through straight to the end, a great listen. The final track is "Fifty in Five", which is something really rare in hip hop, its kind of "We Didn't Start The Fire" but done in rap, its a very strange track but its also an incredibly brave track, that I sat here and listened through to repeatedly just to get the whole impact of it, that actually makes it a great choice for a final track for the disc, I love when an album ends on a high note instead of a fizzle, it shows respect and care for the craft instead of just tossing some things together at the end to make it seem like you knew what was going on.

So, the big question, is this album for everyone? I'm not really sure, I'd say its a must for hip hop fans, be it if you've not ever heard international hip hop or are a lover of the genre no matter where the artist comes from, my one downside would be that the album seems alittle like they're trying to mimic the american heavy swearing style at times, the hoods have always had afew swears in their tracks, but this is the most to date, I don't dislike that, I just think it makes it seem slightly american, if that makes sense. As for everyone else, if you are up for an interestingly different take on a genre that is both brilliant and trash at the same time depending on your exposure to it (american radio being trash, the stuff you don't hear on the radio being brilliant at times), I'd say give it a listen, you probably won't be let down, you might even find something you enjoy on here, who knows?

But, if you aren't sure still, here is a video/whatever for "Chase That Feeling", for some reason the actual video for the song is unable to be embedded, which sucks, so this is the closest to thing to it, I can gather, it still lets you hear the song, so not a total loss.



Artist: Hilltop Hoods
Album: State Of The Art
Genre: rap, hip hop, australian hip hop, freestyle hip hop
Homepage: Hilltophoods.com
Myspace: Hilltop Hoods on Myspace
Download: Album Download Here


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BC

Saturday, September 13, 2008

A Bitch Called Hip Hop - Tomahawk




And to conclude my week or so long vibe on hip hop, I figure I'll go with one of the more raw MCs I've found out there, that would be Tomahawk, a rapper who either on his own, or with his group Clandestien, always brings 100% to what he does, his delivery is raw and angry, though, his accent sometimes gets in the way of the actual lyrics, but don't let that bother you, the skill is there and thats what matters, least that what true fans would believe anyway, after all thats what hip hop is about, the lyrics and the beats and the marriage they have. Tomahawk's crew, Clandestien, are kind of like an aussie version of Living Legends or (going back afew years) canada's Monolith, meaning they all are solo artists, who flow amazingly together and will do albums together just so they can rhyme, most of them are infact represented on this album, which is great. Their style as a whole is kind of in your face social conscious themes done in street level dialect.



This is Tomahawk's second album, though most argue its the better of the two, which is infact why I'm reviewing it. It starts off well, with an over 6 minute introduction track thats ment to be metaphorical of his "marriage" to hip hop and how he loves it, but it doesn't seem to love him back right now, its rather symbolic of many an MC's complained these days, I find it rather raw and to the point personally, but thats just me, I'm like that. the second track is "Straight Outta Tragged Corridor" a battle track that makes you wanna go beat someone up to it, he's joined on this track with Layla, a female MC I'd like to hear more of, its also got one of the best MC diss lines I've ever heard "the only friends you have exist on myspace" which kind of takes a shot at how anyone who thinks they can rap can get tons of "fame" just by having a myspace account. Next is "The Sith Lord" where in Tomahawk drops verses as his alter ego, Darth Hawk, metaphorically calling mics lightsabers, which isn't so bad, I rather like the track, even if the batman/robin line seems out of place, still a great song honestly. Next is "Spoken Homing Beacon" which has a lovely amped up beat to it, the verses themselves are pretty well done, following his theme of being angry with hip hop as a whole, I like that he keeps to the theme instead of just tossing random stuff together and calling it an album, thats always bothered me, when an album makes no real statement, that is after all what hip hop is about, making a statement. Next is "I'm Sorry I Hate You" again with Layla on this track, which makes me just wanna hear a whole album of hers even more, again following the theme that hawk is mad with hip hop and what its become, though I love the use of the "baby love" sample, still Layla is the stand out on this one, lovely. Followed by "Cry Me A River" again with Layla, who at this point on is on just about every track and the album's first appearance by the lovely Porsah Laine, hawk's lyrics hit hard and boom off like bullets out of a sniper's gun as he freestyles, leading into Porsah's sexy vocals which lead into Layla's vocal, you get the feeling of an old smokey club in an inner city in a 1940s film nior gangster movie, just brilliant. Next is the song that first made me wanna find this album, "Love 2 Love Ya", a lovely sample of song of the disco song of the same name, on which hawk and layla go verse for verse in whats almost a mixtape must track, this is one you wanna turn up loud and repeat. Next song is "Now I'm In The House", a "chillin' with the crew" track, its got a killer bassline the lyrics just bang, Layla's verse is almost like a sexy panther stalking around her pray waiting for the moment to go for the kill move. Its followed by the very sexy "At The Strippers" which has a beautiful sample of that awesome classic "black velvet" which porsah laine just drops the sexiest vocals I've heard on a rap track in a very long time, completely amazing, even for a song about a strip club. From here the album follows the same theme, the angry self and outwardly introspective tracks by hawk, layla and porsah laine, beautiful samples that aren't what you'd assume from a rap album, and beats that bang so hard you almost sad when its over, beautiful disc, beautiful statement, and in the end, a beautifully dark love letter to a bitch called hip hop.



My only real compliant about the album is that there aren't more people from Clandestien on the album, for anyone thats aware of who they are, and how they sound together, you'll feel let down in that respect, but still love the disc because of how onpoint the three featured here are. I can see why it would have few though, one would love to stand on their own and make their own sales, not just sell because of who else is on their disc. Other then that though, I've nothing but love for this disc and what it stands for. I can see how many might get put off by hawk's overly angry delivery, but well, when you're angry, you deliver angry, its just how it goes, you know? Definitely a must listen if you've not actually heard it yet.


Here is the video to Introduction for those who want a sample...




Artist: Tomahawk w/Layla and Porsah Laine
Homepage: N/A
Myspace: http://www.myspace.com/tomahawksbx and http://www.myspace.com/clandestienclan
Genre: Rap/Bass/Aussie Hip Hop/
Download: Here


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BC

The Grey Space - Horrorshow




As I've stated before, I'm really picky about my hip hop, to the extent I present to you the group "Horrorshow" out of Sydney Australia, with their debut album "The Grey Space", which i guess you could list as "new age rap" which is what they themselves call it, and i guess that fits for lack of a more to the point description or someone to list them as similar too. Though if I had to pin them down, I'd say its kind of like if the Boats did hip hop. And well, those of you who have been following us for awhile know just how much I love the boats and reserve comparison for those who truly deserve it. I'm not trying to sell you on it when I tell you right now, if you give this album a listen you WILL be blown away, there is no way around it.



This is one of those albums that just feels so awesome that you don't realize you've listened to the whole thing till you've come to the end, there are gems like "All Summer Long" that are just beautiful, a lovely uptempo blues hop track that lets the beat showcase just as much as the vocals, which I love, its like most of their songs honestly, a nice long mellow laid back bit of brilliance. Other major stand outs on this album are "Celapram" which has an incredible Jeff Buckley reference in it which made me roll back the player and listen to it afew times over just because of how it seemed together perfectly over the "ready or not" style eerie bassbeat, "Choose None" with rapper Just Enuf, a nice fast pace track that will have you nodding your head and turning it up because you'll just feel it. Other songs include the track "Days Past" which is just a beautiful jazz hop track thats got a great laid back beat that gets deep meaningful hip hop love story lyrics laid down over it, just amazing, its one of my favorites on the entire album, and believe me, finding a favorite was really hard to settle on. This whole disc is seriously full of gems, I'm not kidding, songs like "Dire Straits Pt. 1" which I could make a good argument for being the best rap song made this year, even though its only like 2 minutes and 30 seconds or so long. Both versions of "No Rides Left" are awesome beyond words, I love the flow, the piano beat, you couldn't believe this is their debut album with tracks like this, it shows awareness of having to have "radio style singles" that will get the masses hooked but not distort the album and its flow, not many artists do that, they'll just toss singles in and not care they don't fit the album's theme. It really is hard to not give you way to much of the album, but the rest I'll leave a mystery, after all, a fun album isn't as fun if you have a roadmap of what its gonna all be as you're doing it.



Now for the big question, do I think everyone will like this album? Yes, I think that this album, and more like it, should be more prominent in hip hop the world over, and should be given airplay, as to show the world that hip hop isn't all the horribly clitche violent "gangsta" stuff that gets forced down our throats. It shows that there is always room to grow and that hip hop is not dead as an artform, so yes, I believe that anyone, should they give it a listen will enjoy this. I know i did.

Sorry I couldn't find a video of them, but if you want a sample, their myspace has a fair amount of them to give you an idea.

Artist: Horrorshow
Homepage: http://www.elefanttraks.com
Myspace: http://www.myspace.com/horrorshowcrew
Album: The Grey Space
Genre: Hip Hop/Australian hip hop/D.I.Y Music/Blues Hop/New Age Rap/Jazz/Blues
Download: Here


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BC

Friday, September 12, 2008

Jeanius - Jean Grae






As you all know, I'm very picky about my hip hop, growing up one of those kids with a notebook full of rhymes that traveled from cypher to cypher, to this extent, its made me very critical of my lyrical content when it comes to hip hop, and made me reject 95% of whats played on the radio and labeled hip hop. and though I am very vocal about the fact the better rappers and lyricists are out of the United States these days, I happily will admit when I find a great mc based here. I've known for many years of the legend that is Jean Grae, the female MC from New York City with a flow that I might actually have trouble finding a female or even male MC that can match it. Makes alot of sense really, Jean's musical pedigree is abit hard to touch, born in South Africa to two well known jazz musicians, and learning on her way up from artists like Talib Kweli, and The Roots (ironically the roots also started off the career of Jean's sound-a-like Eve also.) It seemed destiny for Jean to get into the business, and with 8 albums to her name (2 mixtapes, 5 albums and 1 album dropping in late sept.) its safe to say that Jean's reached her destiny.



I've decided to give you all the kind of controversial album "Jeanius", which saw its offical release in early 2008, but bootlegs have been available sense 2004, its an album she's done with production maven 9th Wonder, one of the greatest producers i've come across in many years, but then I do love his other work, so yeah.. as a whole "Jeanius" is a great disc, very easy flowing and enjoyable, the beats are tight and work perfectly with that lyrics which are as sharp and onpoint, as in the standard when it comes to Jean. Even from the intro, you hear how perfectly everything fits together, its followed up with "2-32's" a great banging track with rapper Daily Planet, the uptempo flow works amazingly well with the piano and bass guitar backing. That sets the flow and tone for the album, deep intellectual tracks, mixed with uptempo bangers that'll get play everywhere that people care about actual lyric content and not about who's shoes they're wearing.



Its hard to really go into detail with this album, its not that its not good or worthy of listening too, its just that you gotta really listen too it to fully get what Jean's saying with it, its a blueprint of who she is, kind of a hard to pick apart something of that nature, when really you must listen too it completely to understand it, its kind of akin to Marven Gaye's "Whats Goin On?" or any other classic soul album back in the day. She talks about her childhood, her teenage years, to her miscarriage, love, hate, life and such, its really a beautiful painting of who she is and the world around her. From drug tales to young girls selling themselves at early ages, to everything in between. Its really abit mindblowing as a whole, and you must listen, thats really all I can say.

Will everyone like it? I think if you're a fan of well constructed beats, and inanely good lyrics, then you'll love it, or if you're interested in seeing what real hip hop is about, instead of that on the radio crap, give her a listen. I know I didn't go into alot of description, but seriously its one of those discs you gotta just hear to understand.

here is a video sample....




Artist: Jean Grae
Homepage: http://www.ihiphop.com/jeangrae
Myspace: http://www.myspace.com/jeangrae
Album: Jeanius
Genre: Rap/New York Rap/Female Rappers/Intelligent Rap
Download: Here


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BC