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Saturday, November 7, 2009

Swallow The Sun - New Moon 2009




Hailing from Finland, Swallow The Sun are quite the enigma in the modern doom scene. With this, their fourth full-length release, they are continuing to progress with every album further into the depths of despair and utter bleak doom. They have matured beyond their early works with sweeping lush soundscapes and melody for a more straightforward songs with intense lyrical subject matter. Their last album, 2007’s Hope, was a leap in this direction from 2005’s Ghosts of Loss (they apparently like to work on the evens; see you in 2011, boys), and the latest output from the Jyväskylä six-pack, New Moon, confirms the shift that seemed so sudden last time around.

Of course, there are still melodic/melancholic parts. It wouldn’t be Swallow the Sun without them, but as heard on opener “These Woods Breathe Evil,” it’s much more about the structure of the song, and in this case the catchy chorus, than trading off between heaviness and atmospheric. The atmospheres have become part of the songs, to put it another way. We hear that in the Katatonia-esque “Falling World,” and later in the title track, where vocalist Mikko Kotamnki gives what might be his most accomplished performance yet, showing a melodic range and dynamism with his deathly growls that only speaks to the growth he’s undergone as a performer since the band started out.

What’s happening more than anything else on New Moon is that Swallow the Sun are coming into their own. They’ve toured Europe and the US, they’ve been around the world, they’re coming up on their first decade as a band, and they’re in a position where more and more people know who they are. For melodic death/doom, they might be the top name out of Europe today that hasn’t already been around for 20 years. Are they this generation’s My Dying Bride? Maybe, if you take away some of the gothic drama and consider the fact that while the seminal UK doom act had a full scene supporting them, with bands like Paradise Lost, Katatonia and Anathema to accompany, Swallow the Sun are pretty much doing this with zero companionship on their level. In a way, that makes it all the more admirable.

As with anything, some will bemoan the loss of the extended ambiance, but just as many will delight in the chunky riffs of guitarists Juha Raivio and Markus Jämsen, appreciating the more condensed Swallow the Sun approach. I say “condensed” and mean it in terms of their songwriting. There still isn’t a song on the album under five minutes and synth-heavy closer “Weight of the Dead” clocks in at a respectable 9:05. Certainly no one who heard last year’s Plague of Butterflies EP, which boasted a half-hour-long title track, could accuse the band of shortening their songs to gain commercial appeal. No one who isn’t an asshole, anyway.

Weight of the Dead” might be my personal pick of the album, since it seems to contain so many of the elements that make Swallow the Sun a special act. Mikko Kotamnki’s vocals range from shrill screeches to growls and sad melodicisms, while the song itself follows an agonizingly slow pace (yet somehow also features blast beats in its earlier moments) while seeming to touch on just about everything the band has in their arsenal, including some epic moments. Skip to six minutes in and find me another act on the world stage making music like this. Please.

But naturally there’s more to Swallow the Sun than wide distribution and a hectic touring life. I, for one, have been glad to follow them as they morph into themselves musically, and New Moon, as the latest episode of that process, is a more than satisfying listen. Anyone who’s followed European doom at all and not been exposed to these guys yet would do well to climb aboard the bandwagon before it gets even more out of hand.

Artist: Swallow The Sun
Album: New Moon
Year: 2009
Genre: Melodic Death Metal/Doom Metal
Country: Finland
Download:Here

3 Peaple Showed Us Love:

Chris said...

i've always found the idea of melodic death metal strange, like, it seems like a contradiction in terms you know? But i gotta tell you, friggin LOVED this, totally not what i was expecting.

Bez said...

The whole idea of MDM really spawned out of bands like Amorphis and edge Of Sanity back in the late 80's early 90's when the death metal bands started to feel limited within their own genre. They started to take more time to craft melodious riffs and chord progressions rather than just focusing on the speed factor. I would rather hear a band heavy as hell. medium paced with melodious passages than hear one that can play 3 notes over and over at 400 bpm.

Glad you liked it, BC.

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